Fabio Mollo, a director moving fluidly between mainstream and auteur cinema, builds his poetics around two cores: the exploration of personal and family relationships – especially youth and a broadly conceived paternal role – and a strong bond with southern Italy, particularly Calabria and his native Reggio Calabria. This attachment is neither incidental nor repressed; the space functions as a psychoanalytic core, an unresolved site that is both a source of existential pressure and trauma and a space where these can be overcome through courageous personal choices. Without concealing entrenched problems, Mollo foregrounds Southern contexts that break from them. Central is the artistic dimension, often musical, through which young people assert individuality amid adversity. Distinct from much contemporary southern Italian cinema focused on marginality and crime, he portrays a frequently neglected southern middle class, recognizes youth as a latent, cohesive force of resistance, and probes concrete possibilities of redemption through art, even where it seems peripheral. Beyond representation, he actively fosters youth-oriented cultural initiatives in his region. His work thus embodies a rare poetic vision that also operates as political intervention, securing a singular place in contemporary Italian cinema.

Fabio Mollo, il Sud e l’arte come riscatto

Giordano, Federico Umberto
2026-01-01

Abstract

Fabio Mollo, a director moving fluidly between mainstream and auteur cinema, builds his poetics around two cores: the exploration of personal and family relationships – especially youth and a broadly conceived paternal role – and a strong bond with southern Italy, particularly Calabria and his native Reggio Calabria. This attachment is neither incidental nor repressed; the space functions as a psychoanalytic core, an unresolved site that is both a source of existential pressure and trauma and a space where these can be overcome through courageous personal choices. Without concealing entrenched problems, Mollo foregrounds Southern contexts that break from them. Central is the artistic dimension, often musical, through which young people assert individuality amid adversity. Distinct from much contemporary southern Italian cinema focused on marginality and crime, he portrays a frequently neglected southern middle class, recognizes youth as a latent, cohesive force of resistance, and probes concrete possibilities of redemption through art, even where it seems peripheral. Beyond representation, he actively fosters youth-oriented cultural initiatives in his region. His work thus embodies a rare poetic vision that also operates as political intervention, securing a singular place in contemporary Italian cinema.
2026
Contemporary Italian cinema, Southern Italy and cinema, Youth and Arts, Youth and Music, Redemption through art, Mafia and marginality, Rural society and middle-class society in Southern Italy, Calabria, Abruzzo, Fabio Mollo
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12071/54969
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