This essay examines the different female figures present in Paolo Sorrentino’s film È stata la mano di Dio. The strength of the story in Sorrentin’s films probably lies in the characters, in their slow flow towards a change, so much so that the stability of the narrative structure of all the Neapolitan director’s films, it is constituted precisely by uncertainty, by a double possibility of what will happen to the protagonists of the story.
Le figure femminili nel cinema di Paolo Sorrentino. È stata la mano di Dio
A. Catolfi
2023-01-01
Abstract
This essay examines the different female figures present in Paolo Sorrentino’s film È stata la mano di Dio. The strength of the story in Sorrentin’s films probably lies in the characters, in their slow flow towards a change, so much so that the stability of the narrative structure of all the Neapolitan director’s films, it is constituted precisely by uncertainty, by a double possibility of what will happen to the protagonists of the story.File in questo prodotto:
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2023-Catolfi-le figure femminili in Paolo Sorrentino- vol Misoginia-pp. 297-311-ISBN 978-84-1183-011-9.pdf
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