if reading is inevitably always an experiment, reading literary masterpieces gains one access to a linguistic and semiotic universe that baffles hermeneutic authority, as well as any attempt to propose definitive interpretations. What is good about reading is that it is simultaneously a statement of subjectivity and recognition of the other as a different interpreter of the same signs. Every reading is therefore always provisional. Working on Texts provides some old and new readings of famous literary masterpieces by authors such as John Donne, S.T. Coleridge, Walt Whitman, W.B. Yeats, James Joyce, and Seamus Heaney.

WORKING ON TEXTS. READING LITERATURE CRITICALLY

TERRINONI E
2012-01-01

Abstract

if reading is inevitably always an experiment, reading literary masterpieces gains one access to a linguistic and semiotic universe that baffles hermeneutic authority, as well as any attempt to propose definitive interpretations. What is good about reading is that it is simultaneously a statement of subjectivity and recognition of the other as a different interpreter of the same signs. Every reading is therefore always provisional. Working on Texts provides some old and new readings of famous literary masterpieces by authors such as John Donne, S.T. Coleridge, Walt Whitman, W.B. Yeats, James Joyce, and Seamus Heaney.
2012
978-1-61233-106-5
LITERARY CRITICISM; ENGLAND ; IRELAND
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12071/2521
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